UNESCO : Campo Longo Croix-de-marbre

This building was built between 1858 and 1865 by the architect Victor Sabatier for himself.

These two villas, although built in 1880 by different owners, nevertheless seek unity through their volume, their garden setback and the common courtyard opening onto the center of the block, itself planted with vegetation.

As early as 1820, an Anglican place of worship existed on this site. The present church was built from 1859 to 1862 by the British architect Thomas Smith.

The building, designed by architect Joseph Mars, received a medal in the 1903 municipal architecture competition.

Completed in 1913, it is the work of architect Charles Dalmas. The writer Gaston Leroux lived there from 1919 until his death in 1927.

For this construction, the architect Charles-Joseph Bellon multiplied small balconies and balconies.

Built in 1903 by the architect Emmanuel Brun, this villa presents the characteristics of art nouveau.

This type of building, erected by the architect Charles Dalmas, is exemplary of many buildings in Nice.

A rectangular building already stood on this site at the beginning of the 19th century along the Genoa - Paris road.

This house received, probably around 1899, this exceptional painted decoration, by its learned theme of mythological figures and its technique requiring a real know-how.

Planned in the development plan of the sector in the 19th century, the garden was inaugurated in 1887 and took the name of the king of Wurtemberg, a frequent vacationer.

The painter behind this remarkable decoration, created around 1920, remains unknown.

The Parisian architect Emmanuel Brun is one of the few to have offered the city of Nice art nouveau references, where the curve inspired by plants is favored.

These two villas, built around 1910, are representative of town houses, built on plots of land that do not allow the development of large gardens.

The garden of the Grand Hôtel Continental was partially subdivided in 1930. Two streets opened up, with buildings of a uniform style.

The building, built in 1930, features high quality carvings and ironwork, which contrast with the dark-colored cement background.

The Hotel Atlantic and du Rhin, built in 1913 by Charles Dalmas, adopts a neo-classical symmetry and ornamentation.

The first Russian parish church built in Western Europe (1859), its plans are the work of the imperial court architect Koudinoff.

​​In art deco style, this building by architect Georges Dikansky, dated 1929, adopts an oversized corner rotunda, giving movement to the whole.

Built in 1907 by the architect Adrien Rey, it features a rare brick facing.

In 1939, the architect René Livieri created a large complex whose monotony was broken by a tree-lined courtyard opening onto the boulevard.

A center of social life for the American winterers, this place of worship was built from 1887 onwards, according to the plans of W. G. Haberson.

This hotel, designed by architect Bernardin Maraini, opened in 1880.

This building predates the 1854 regulatory plan, which organizes the grid of roads in this new sector.

At its inauguration in 1933, the building included a luxurious 1600-seat cinema and was finished with a lantern tower whose night lighting served as a sign.

This 1898 building, designed by the architect Emmanuel Brun, gives a large place to decorative ceramics: friezes of irises, cabochons, railings with thistle motifs...

Architect René Livieri designed this building in 1938 using rounded corners with a turret at the top to modernize the concept of the domed corner rotunda, which had been very common in new neighborhoods since the early 20th century

In 1927, the architect Georges Dikansky built a building with art deco profiles and ornamentation, including the chamfered arches of the first floor and the summit pergola.

Built in 1894 by the architect Aaron Messiah, these houses were intended to be rented to Anglican invalids.

When the boulevard was created, many buildings were modified, modernized, enlarged or even demolished to make way for larger constructions.